wey moor at Warleggan, using found imagery from a 60s wildlife annual, red seemed an appropriate colour as these animals habitat is destroyed for profit. In some areas there is hope that we will slow or perhaps halt the desecration of the environment. I am always positive about the possibility of change for the better.
Made from a self portrait and a found image of a primate. Copying the monkey’s pose I wanted to put myself literally alongside her, and it felt uneasy. Making larger scale charcoal drawings on found wood has become an important part of my process. I enjoy working at a larger scale and the interaction between …
The mangabay image is from a favourite childrens animal annual of mine called ‘Introducing Animals’ from the 50s. the pictures are all made in a zoo, and I think the monkey, natural to the Congo, looks a bit board, hand on his knee, legs stretched out on the dirt floor of his enclosure. Some of …
This drawing was scratched into a metal plate that was previously used by another artist to make an etching. I could not see properly what I was producing so the result has a strange slightly cumbersome look, which I liked. The title came from the big cat’s expression which is not engaged with the viewer …
I made this drawing on a train journey from a reference image found in a 50s book about the fishing industry. The paper is the reverse of a military print retrieved from a framed acquisition at my local art auction house. It is intended to highlight the long and rather unequal relationship between humans and …
The Bison is sourced from my animal annual ‘Introducing Animals’ the portraits of animals do give them some dignity, but you sense that the enclosures are always just a bit too small for animals who are used to roaming wide and far. Although it is probably the case that this animal was born in captivity …
Tiger in lead coat was the product of a long process, the 30s tiger came from a charity shop and the lead from a field near Penzance. It , as it were, fell together when I dropped the lead onto the floor and it seemed to acquire the shape it needed to be to fit …
A quick creative process lead to this piece, the circuit board the bear walks on was found at the beach, the wood from outside someone’s house in Penzance, and the bear from Ebay. It is obvious to say that we could not have a more poignant symbol of the climate change problems we all face …
Somehow making work for the Cabinet exhibition at Daisy Laing’s gallery in Penzance allowed ‘Cow one Christ’ to come together. Finding a cabinet and an orange wall at the gallery focused the elements, which I had been living with for a while, of this assemblage in my mind. Again the themes of capitalism, large agribusiness …
This assemblage was the product of a long process of finding the various objects and trying multiple ways of joining them together. The key idea was the hollowing out and gilding of the found wooden block. The weather beaten driftwood appeared on Mounts Bay Beach after a storm. The poses of the figure and panda …
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